First Lines Fridays is a weekly feature for book lovers hosted by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines?
- Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
- Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
- Finally… reveal the book!
Hello! I hope you’ve all had a great week so far. I’ve had my first week back on nights after almost two months and am definitely missing spending time in the sun! The book I’ve chosen for this week is a quirky romatasy that I’ve had on my radar for a while, and it has an interesting opening few lines…
“Every good story has a few secrets. At least, that’s what I’ve been told. Sometimes they’re secrets about love, secrets about family, secrets about murder- some so inconsequential they barely feel like secrets at all, but monumental to the person keeping them. Every person has a secret. Every secret has a story. And in my head, every story has a happy ending.”
NGl these first lines definitely have me intrigued! Ready to find out what it is?
Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead.
When her new editor, a too-handsome mountain of a man, won’t give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father.
For ten years, she’s run from the town that never understood her, and even though she misses the sound of a warm Southern night and her eccentric, loving family and their funeral parlor, she can’t bring herself to stay. Even with her father gone, it feels like nothing in this town has changed. And she hates it.
Until she finds a ghost standing at the funeral parlor’s front door, just as broad and infuriatingly handsome as ever, and he’s just as confused about why he’s there as she is.
Romance is most certainly dead… but so is her new editor, and his unfinished business will have her second-guessing everything she’s ever known about love stories.